The course teaches: Lighting For Dark Interiors: Using Gain to See Light Sources, Bad Version of Lighting, Blocking for Shadows, Scrim Usage In Depth, Gamma Settings, Compositing for Dominance, Framing to Help the Script. The Set Balance: Examine Normal Lighting - Striating Point, Monitor Comparatives - Dynamic Range, Professional Vs. Consumer Monitors. Camera: Reverse Angles, Blackening The Light, Test Lighting, Camera Positions, Rehearsing With HMI, Switching Body Positions, Blocking The Actors to Allow for Frame Space. Lighting: Bad Lighting Examples, Losing The Characters, Deep Shadows, No Framing and Positioning Examples, Using Lowel Clamps, Buffering The Clamps, Chimera With Soft Box, Light Gags, Sculpting the Frame, Lighting for Mood, Contrast Range, Blue Rimmed Scrims, Single Scrims, Double Scrim, Trippe Scrip, Gamma Settings for Interiors, Cine-Like D Gamma Cine Matrix, Cine Like V Gamma Cine Matrix, Cine Like D Gamma Normal Matrix, Cine Like V Gamma Normal Matrix, Cine Like D gamma Fluoro Matrix, Cine Like V Gamma Fluoro Matrix, Key Light Positions, Matching Light Patterns, Controlling Barn Doors, Adjusting f-stops, Acceptable Double Shadows, Diffusion Gels, Using Silk Flags, Half Diffusion, Full Diffusion, Using Suction Bases for light Stands, Internal Internal Baffles, Neutral Density Gels.

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